Wednesday, October 31, 2012

Music Review: Abscess- "Seminal Vampires and Maggot Men" LP


For Halloween we're looking at another classic piece of metal, finally reissued on vinyl in 2011 by Horror Pain Gore Death Productions. I don't often post about death metal albums, but this one was too brilliant to exclude from my collection. After Autopsy's initial breakup in the mid-90's, drummer/vocalist Chris Reifert gave his attention to this disgusting death metal and punk rock hybrid. The band's sick sense of humor and sickeningly catchy take on ear-grating metal has made them an absolute legend in the death metal underground, and this album, their proper debut, holds the honor of being one of my favorite death metal albums of all time.


The packaging of this reissue alone is worth the price of admission: a urine yellow piece of vinyl with "shit specks" of brown comes with an Abscess patch, an 11x17" poster and a refrigerator magnet, just in case. Additionally, with the high quality sound of vinyl, you can practically hear the phlegm being spat through your speakers as the band tears their way through this landmark death metal album. This wretched collection of songs should appeal equally to fans of punk, grindcore, crust, and death metal with great ease. The songs are short and simple, heavy on the low-end with vocals that sound like they're delivered by the villain in your favorite campy slasher flick. While the demise of Autopsy surely saddened metalheads worldwide, I feel like this album more than makes up for their temporary absence. Songs like "Patient Zero" and "Worm Sty Infection" are instantly memorable yet ugly enough to scare away casual fans of the more polished and sterile death metal bands that have oversaturated the metal community in the past decade. If the punky style presented on some tracks isn't enough to sicken you appropriately, then the creeping agony of songs like "Fatfire" will certainly test your threshold for ugliness.


This album is one of the best things to put on when cooking a delicious and unhealthy meal or when having friends over to drink and get wild. It's sick, it's fun, and it's fast. It makes me want to put on a leather vest and headbang until I'm sore and exhausted. When more bands start playing death metal like this, it's likely I'll be enticed to start listening to more new death metal again. Until then, I'm incredibly fortunate to still own a copy of this slab of thrashing insanity. Despite this album's cult status, the label apparently hasn't yet sold all 500 copies, and you'd be a fool if you didn't stop in and pick up a copy for yourself before the supplies dwindle into nothingness. Crank this one LOUD tonight and terrify the piss out of your neighbors.

Beer Review: Southern Tier's Pumking

(image from Southern Tier's website)

So now that we've reached Halloween itself, it's time to share my absolute favorite pumpkin beer. Southern Tier have made the pumpkin beer that made me forget my dislike for all things pumpkin themed. My skeptical attitude first changed just last autumn, when a friend shared a sip of hers at a bonfire. I instantly knew that I'd be trying every pumpkin beer I could get my hands on when the next autumn began. This experience set me on a pumpkin spree this year. I must say the results were quite mixed. Many of the pumpkin beers I tried were unimpressive, or even downright unpleasant. The few I chose to share surprised me. I wasn't sure if I'd be sold on very many at all. After a month of more pumpkin-y treats than I'd care to admit, this one still stands out on top.

I've had three encounters this year with his highness, the Pumking, and each one proved better than the last. The beer pours a clear and thin amber color, with almost no head to speak of. The scent is so full and wonderful. Rather than smelling disgustingly of pumpkin, the light scent of slightly toasty pumpkin pie is complemented by heavy and tantalizing spices.The taste is equally impressive. Both full of pumpkin and delicious spices, it presents a mixture of nutmeg, cloves, cinnamon, and even a hint of possibly ginger or brown sugar. This beer is such an absolute pleasure to drink that I feel it'd be appropriate any time of year. It's warm enough for the winter yet smooth and crisp enough for the spring and summertime. Seriously a top choice. I'll likely be saving an extra bottle or two to enjoy in about six months when I start to miss this season.

I know it's not vanishing with the end of October, but usually this beer's supply dwindles over the next month or two, so I highly recommend grabbing it soon, even if you just plan on hoarding it for a later date. For a pairing, I suggest King Diamond's Fatal Portrait, if for no other reason than the legendary "Halloween." For those curious about the lack of images in this review, I apologize. My wonderful blog queue seems to have deleted images from a couple of my queued posts, and I already deleted the pictures I took from my hard drive. I apologize and will likely keep pictures stored for a slightly longer time.

Tuesday, October 30, 2012

Music Review: Venowl- "Patterns of Failure" CD-r


Venowl are a band who present a major issue for me as a writer. I love music, especially harsh and chaotic music, the kind that often eludes definition. My problem as a writer is that no matter how peculiar and challenging an album or artist is, it's my duty to put abstract sounds and feelings into words. The restrictions of the English language put me in a rough position when writing about music like this. In other words, Venowl have created something so hideously compelling that it cannot be described.


Patterns of Failure is not Venowl's newest release, but has recently been reissued by the band. This material differs from the tune I previously reviewed on their 4-way split. This album was written by Venowl as a 3-piece with the aid of a guest vocalist, creating an oddly structured spiral of noisy terror. The album starts at the pace of a funeral march and simply builds upon itself until it becomes a towering monument to wretchedness. The vocals howl from every direction as if carried by the wind.  The production retains a level of clarity that surprises me given how murky this music is. If this is to be called black metal, it's primarily in spirit, as these songs sound like the most horrifying take on sludge I've ever heard, if it can even be labeled as such. The tuning is low, the pace is slow, yet the music fits no classification. It's not a problem for anybody other than myself, as I wish so desperately to describe this music yet struggle to do so.  If anything, the nameless filth that Venowl creates deserves its own subcategory. If somebody came up to me looking for new black metal, I would not instantly think of Venowl. If somebody came up to me looking for new sludge or noise, I would not instantly think of Venowl. If somebody came up to me and asked for something ugly and new, Venowl would be one of the first bands I could recommend. I don't think a band has confused my vocabulary and senses in such a way since I first was introduced to the overwhelming sounds of Nurse With Wound so many years ago.


In no way is my lack of words meant to signify disapproval of this band. In fact, I find it refreshing to hear something that brings so many visuals to mind, yet so few musical terms. As I've been attending a music class in college lately, I've been thinking in terms of melody, harmony, and structure so frequently that I have almost forgotten how nice it can be to enjoy music that simply bleeds itself all over the listener and requires no other basis for enjoyment. I seldom find myself this energized by music so slow, but there's a violent intensity here that knows no pace. If you're at all intrigued by this ugly and dirge-like music, you can give it a listen on Venowl's bandcamp or buy it directly from the band, thereby funding future sonic torment from these talented individuals. They've only got 50 copies of the album created for this run, so hurry up if you want a piece of this mess for yourself. For a beer pairing, the band themselves have recommended Victory's Storm King Imperial Stout, and I couldn't agree more. It's dark, bitter, and complex. Much like Venowl, it's description makes it sound unappealing, but it's worthwhile if you're a patient sipper (or listener).

Monday, October 29, 2012

Music Review: Wulkanaz- "HNI" Cassette


Every now and then a band sits right on the edge of my thoughts. I hear their name, I see folks mention them, and I sometimes even take a minute or two to research them online, but I don't give them a proper listen because I've usually got dozens of bands on my "to hear" list at any given point. Such was the case with Wulkanaz until the past week or two. After months of hearing the name, I finally gave the Wulkana EP a listen and realized I'd seriously been missing out. Two days later, I got word that Wohrt Records was about to release the newest Wulkanaz tape. Needless to say, obtaining a copy for myself was mandatory. While the tapes are already sold out at the label, I feel that mentioning Wohrt's efforts on my blog is long overdue, and this release is proof of it, even if the majority of my readers will struggle to find this music.



The first thing I must say is that the packaging and presentation are above average, which is always rather satisfying to me. In addition to a hand-bound booklet to house the cassette, this release comes with a patch and a sticker. It's a simple detail that really adds up as a fan of music. Bonuses like this are what can help entice the younger generation realize that owning physical copies of music is more rewarding than simply pirating a collection of mp3s. As if the stellar packaging weren't enough, this cassette is everything one would hope for from a respectable artist and a high quality label. The A side opens with chanting voices in a ritualistic fashion, setting the perfect dark atmosphere for the stripped-down, driving black metal that the subsequent tracks provide. While some black metal feels rooted in tremolo picking and thick atmospheres that are more for listening than performing, I can imagine these songs would translate quite well in an intense live setting if Wulkanaz were not a solo project. The drums and guitar play back and forth in a way that causes me to involuntarily bob my head. I promise you'll do the same. This is well executed black metal in a very simple and pure form. The riffs are instantly memorable due to their clarity and frequent repetition. Where some bands would come across as monotonous, Wulkanaz instead uses repetition to create an instant familiarity with each song. I've only listened to the tape twice so far but even on my second listen, I can instantly recall the tunes and find myself enjoying them just as well as I did the first time.

While this tape is off the market already, I highly advise my readers to keep an eye out for future Wulkanaz releases. This music is simply amazing. While there is certainly a sense of variation from song to song, the lack of frivolous additions to the music is refreshing. Everything that Wulkanaz presents feels like it needs to be in the song, nothing more. Additionally, while this is Wohrt's newest release, expect me to cover the back catalog of Wohrt Records over the next few months, as almost every cassette I've received from this label should be considered necessary listening.

Sunday, October 28, 2012

Beer Review: Innis & Gunn's "Rum Cask Oak Aged Beer"


This beer is a sneaky one. The bottle is unassuming and modest. There's no flashy packaging, no absurdly high price tag. It's not made by a brewery actively riding the current craft beer craze with a hundred different drinks on the market. It's a simple and attractive bottle, explaining what the beer is and little else. That should be all this beer needs to sell itself, but it probably isn't. I was hesitant at first, but appearances are often deceiving, so I brought home this modest little monster from Innis & Gunn and I'm currently a very happy camper.



The beer pours a pretty average head, which dissipates relatively quickly. Even the first sniff of this beer confused me. The aroma was almost reminiscent of many standard pilsner type beers, which I tend to find unexciting. While there's a certain faint, musty sweetness to the nose, it's pretty mellow and tame, which makes the flavor such a huge and wonderful surprise. My first sip was an oak-filled flavor explosion. So was my second. This beer in its simple bottle with its mild aroma has some of the biggest and most surprising flavor of any beer I've tried lately. The actual beer is full of caramel, raisin, and other sweetly intoxicating tastes. With each sip I feel like I'm peeling back another layer of this beer's medley of tastes. It's got a fair kick (7.4%)  that you can definitely taste, and it's a malty, rich, and wonderful experience.

What I expected to be a rather standard beer experience is quickly making its way onto my "will buy again" list. I encourage you to do the same. While many of the currently popular breweries are making bizarre and exciting beers with all sorts of peculiar names and labels, this is an incredibly well made beer with enough depth to dominate even the fiercest competition. If you find a bottle, grab it. I've had its non-rum cask cousin, which was quite good, but I definitely recommend spending the extra dollar or two for this gem.

Saturday, October 27, 2012

Quick Fix: Dogfish Head's 120 Minute IPA


My friend Brad and I were fortunate enough to grab a goblet of Dogfish Head's 120 Minute IPA on draft from one of my preferred local watering holes last week. If you're a bit of a beer geek like myself, you'll know that this is one of those beers that appears infrequently and sells out quickly. I'm not often an IPA drinker, as the hops tend to dominate other flavors, but this beer proves the great potential an IPA can hold. This dark amber beauty has a light aroma of citrus and a slightly foamy head. Upon sipping, the sweet flavors of honeysuckle and orange blossom contrast the tangy bite of hoppy bitterness. While the bite can be a bit intimidating, this beer is worth trying at least once, preferably with a friend. Drinking it alone can be a bit daunting with its 17% ABV, so this tasty drink makes a good excuse to invite a friend out for a beer. Cheers!

Friday, October 26, 2012

Free Music Friday: Yellow Eyes/Monument split cassette


Today's Free Music Friday was directly caused by a previous review I made. While finding the proper links for folks looking to hear Yellow Eyes' debut cassette, I happened across information about this little wonder. Monument were a band I had heard of before, but had not yet heard. Given how strong my love for Yellow Eyes' debut was, I refused to even peruse the tracks on bandcamp and simply placed my order. While some may view this as a risky move, I knew it would be impossible to grasp the intensity of this music without holding it in my hand and listening to it through my stereo system. When it arrived in the mail (a week ago today) I was thrilled. I was spending the afternoon with a friend and didn't have the opportunity to listen to it, but I kept sneaking peeks at the tape and daydreaming about the music contained within. I told myself I'd hold off for a few weeks before featuring this band again in my blog. This morning I decided against that. This cassette needs to be featured now, while actual purchase is still an option for those who aren't merely content with a free download.



Starting things off with Yellow Eyes' contribution to the tape, I'm immediately aware of two things: they've added a new member to the band since their last recording, and these songs are noticeably longer than any track on their first cassette. Opening track "The Solid Chime of Matching Bone With Harder Strength" slowly creeps in with distant ambiance, which builds towards a full force aural assault that the band carries through both of their tracks here. Anything nice I said about the first cassette is equally true, if not enhanced upon, in this release. The drums are perfectly produced, and the guitars are fuzzy enough to create a great atmosphere but nothing of the musicality is lost. The first song is nearly ten minutes long, which gives me hope that soon Yellow Eyes will be crafting epics upwards of ten minutes in length on their next effort. Few bands can hold my attention for such a span, but Yellow Eyes certainly know how to keep me focused. Rather than dully plodding along, these two tracks sound equally chaotic and beautiful. The peculiar high-pitched dissonant leads that caught my attention on their debut are still here, but are fused with rhythmic passages that complement them perfectly. This music makes me feel like I'm marching towards my death through heavy rain. It's truly brilliant.


Flipping the tape over, it's time for an introduction to Monument. Like Yellow Eyes, Monument provides two lengthy tracks here. Judging by the image on the insert, it's safe to say this is a solo affair, which makes the fullness of this music even more impressive. Monument's opening track "Milchama (Wound)/Coughing Up the Blood of Hope and Love" starts with a very warm feeling drone, almost like the one ray of sunlight making its way through complete darkness (I'm assuming this is the Milchama part). When the drone fades out, Monument conjures up a swirling mess of lo-fi black metal perfection. This side of the cassette has that fuzzed out feeling I love so much, where I get the feeling that the band is performing in the middle of a foggy forest and I'm hearing the music from about a mile away. This music feels much more ritualistic and purposeful than a lot of newer bands, which gets a huge thumbs up from me. There are many slower passages here, that lack not in intensity, but merely serve to create a stronger atmosphere. It's clear that while the music is slightly more stripped down than the A side of the cassette, it's intentionally so, and the mood is denser and darker here. With the bleak beauty of Monument and the spiraling fury of Yellow Eyes, this tape is perfectly paired without simply containing two identical artists.

For those who haven't already made their way to the bandcamp page for this release, I advise you do so now. It's listed at "name your price" and it's required listening whether or not you have a cassette player. If you're into the experience of owning a physical copy, this tape is one of the most well packaged cassettes I've ever received. It's clear that Sol Y Nieve is committed to creating some of the most attractive album experiences, inside and out. Click the label's name to obtain your own copy of this masterpiece for only $5 if the free download just won't cut it for you. I know it wouldn't be enough for me.