Host: A Brief Profile

Now that my college semester is over, I have the time to focus on things that help me relax. Luckily for all of us, listening to new music and sharing it with the masses is pretty much my favorite thing to do. To get things started in a proper fashion, here's a brief profile of ritual noise artist, Host along with a download link or two for your enjoyment and enrichment. This artist directly contacted me a few months ago and my scatterbrained nature during my semester prevented me from giving a proper review, although I'd enjoyed the album he initially sent. Apparently my constant delays due to school and personal life worked out nicely for my readers, as he's since released an experimental track of sorts and has another album coming out in the very near future.

Host's first release with which I am acquainted, "Implant," is a journey of some sort, perhaps into and through the singularity. The futuristic beauty and horror that play with each other sound like the perfect soundtrack for a sci-fi film of technological advances gone wrong. Disconcerting drones buzz alongside chirping, somewhat tonal electronic textures with minimal to no percussion yet the music definitely does have its own structure. I'm always into a bit of melody or tonality making its way into noise and ambient structures, and Host does a great job of integrating accessible sounds into noisy soundscapes, creating a fantastic atmosphere. This album had my full attention and appreciation within the first minute, and I imagine it'll do the same for most of my readers who have appreciated my noise-related posts in the past. If you're still hesitant to hop on the noise/electronic train, this might actually be a pretty good starting point due to the genre-straddling nature of this release. Grab this one as a free download from Host's bandcamp page to start your journey into one of our many possible futures.

Following the crumbling beauty of "Implant" is Host's current experiment, "Evolution." This song is going to be hard to explain, as everybody has their own wholly unique experience. "Evolution" uses samples from Host's upcoming release, "Null Pointer," and combines them with random number generation, live financial, meteorological, and social data in order to manipulate the sound and alter the experience for every listener. I will admit to only perusing this potentially endless experiment once so far, although I do plan on visiting with it again. My personal experience is that of an endless series of pistons, churning ever onward with mechanical precision. It's dark, relentless, and I love it. Experience it for yourself and be sure to bookmark the page for your own future excursions. This might be the future of music, so don't be surprised if other artists start doing things like this soon.

After immersing myself in "Evolution" for about ten minutes, I feel prepared to present and review Host's impending release, "Null Pointer." Following the apparent trend of growing in size, intensity, and scope, this album's three tracks each pass the ten-minute mark and shed much of the electronic tonality in favor of cavernous low-frequency drones. Even the tiniest of sounds echoes into a seemingly infinite void. True to the album's title, it seems that everything converges somewhere immeasurably distant, with everything fading into a dull hum that never fully reaches a resolution. The mechanical churning I described in "Evolution" surfaces here as intermittent static, swelling to fill empty space left as each previous noise falls farther from audible levels. This album is more experiential than musical, which is not to say that it can't be listened to for the sake of listening, but the massive amount of detail and texture here make this ideal material for a session with headphones in a darkened room. As the last crackle of static fades into oblivion, we are left with nothing but ever-lengthening echoes for the final minute or two, giving a rare moment of peaceful closure that leads to a contemplative silence that I find most appropriate after such an experience.

It should go without saying that Host is an artist to watch in months to come, as this project has already released a handful of solid releases and seems prepared to continue putting out new noise at a considerable pace. "Null Pointer" will be released on the 27th of May, which gives us just under three weeks to prepare. As the music continues to change form and approach with each release, I can only imagine that whatever comes next will be equally engaging and rewarding to dedicated noise fans and casual listeners of drone alike.

Recent drinks 5/5/13

I know this post's a bit delayed, but with finals week I was drinking a bit less than usual. Now that I'm on the eve of my last final of the semester, things are finally returning to full swing. I'm about to raise a glass here in my own home, but first here's a recap of some drinks I've enjoyed in the past couple weeks.

Stone Smoked Porter (Stone Brewing Company)
For the uninitiated, Stone is not a brewery known for their subtlety. The fact that this beer doesn't pour straight out of the bottle breathing fire is surprising, yet that's not to say that this drink isn't intense. Indeed, with a creamy smokiness more akin to actual wood smoke than the barbecue type of flavor that many other smoked porters carry, this beer is not for the novice drinker. What you'll find here is a dense, delicious, and frothy beer that you can sip slowly on a long night spent in quiet reflection or in the company of good friends. Regardless of the setting, this is definitely one of the better smoked porters out there, period. Grab a bottle and treat yourself properly.

Camp Braggot Ghost Stories (Cigar City/B. Nektar Meadery)
To call this collaborative brew "interesting" or "creative" would be doing it a disservice. The beer pours far darker than I would have anticipated, with an almost fruity nose and a full foamy head. The marshmallow characteristic that is so often associated with this beer is absolutely present, but less so than I had expected. Instead, this is a well-rounded, albeit very sweet, dark and delicious beer. The honey flavor is strong, but not so strong that I would advise non-mead drinkers away from it. Instead, view this as an intriguing and successful experiment in the art of brewing. I'd be delighted to see this one again, although knowing Cigar City's affinity for limited run beers, I doubt it will be any time soon.

Xingu Black Beer
Xingu seems to be a one-beer kinda brewery, so no need to list who makes it. This one caught my eye because my semester's ending and I seem to desire things that are foreign or otherwise "exotic" right now. Clearly my subconscious wants a vacation. With this in mind, I thought to myself that I'd never had a Brazilian beer before. Now I have. It's surprisingly smooth for being a darker beer, yet it's not too light on the palate either. If I wanted something I could sip on for hours, I'd go for this. It's dark without being unpleasant on a hot day.

Dragonhead Stout (Orkney)
This one was purchased based on the label and the fact that I haven't had many Scottish beers. I mean, I love stouts, and it's got a warship or something on it. The beer doesn't disappoint either. It's thick and heavy as crude oil yet the 4%ABV means you can sit with a couple of them in a row without it knocking you out. A really good stout for the times when you might want a smooth yet heavy drink that sits in your stomach like a small meal.

Fell Voices- "Regnum Saturni" 2xLP (Gilead Media/Antithetic)

With this post, I return from a lengthy period without writing. It's been about a week, and I've chosen a monster of an album to mark my return to this blog. With Regnum Saturni, Fell Voices have done many things that defied everything I have come to expect, yet have somehow exceeded and surpassed my hopes regardless. I've listened to this album many times and I'm still not sure how to even describe what they've done here. This album has many identities, each of them holding an equal importance and sonic appeal, and to call them all out individually and list them would detract from the beautiful place of balance they've created as an entity. Instead of trying to commit words to something that is both formless and calculated all at once, I've decided to write my review as the band recorded their album: entirely live. I'm about to start listening to the album again, and I'll describe my experience as it progresses

The album opens with "Flesh and Bone," the shortest of the three songs on this album at a mere 17:48. It hums in with some sort of soothing droning instrument that I can't identify. Accordion? Melodica? Synthesizer? I'm not too sure, but it's going to pop up a lot through the course of this album and it definitely sets the mood nicely. The pulsing of the drone is hypnotic yet it builds a certain musical tension as the listener waits for the onslaught to come. After a couple minutes the black metal breaks through, howling onward and upward like a storm of some sort. Vocals are almost entirely buried, serving as another abrasive texture in the ferocity. The first couple of minutes are almost utterly relentless. Just when the listener thinks that this might be the new norm, the song drops just enough for one to discern individual components just as easily as the greater musical piece. The thing that grips me the most is the balance between motion and stillness. The droning quality of the music is a constant, yet the song moves forward at an incredibly rapid rate. The album's cover is almost identical to the images of the hurricane at Saturn's north pole that have recently surfaced, perhaps this is indicative of the musical quality (and would make sense with the album's title). The eye of a hurricane might be calm and constant, yet the winds are wild and unforgiving. So it is with Fell Voices, a balance between calmness and punishing fury. Amusingly enough, many of the riffs spiral in and out of the song in a similar fashion to their peers in Ash Borer's latest album, although instead of Ash Borer's cold restraint, Fell Voices has set fire to everything around them and the arctic guitar patterns are the few glimpses of solace amidst the madness. Around the fifteen minute mark, the song loses control of itself, spiraling ever upward into an explosion that leaves us with the same drone that spawned the album, making way for "Emergence."

By this point I realize the drone is the only moment of forgiveness that the listener will receive. When the metallic aggression returns, it's with less of the misguided fury, forsaking blown out noise for a more direct and precise assault. This is probably my favorite on the album, although I could hardly recommend separating any section of this album from the others. There's a triumphant feeling here that just really strikes my fancy. Around 8 minutes in, the song has hit its pace and if you're not following intently, you're really missing out. Things lock into the most perfect groove and the density of the chaos surrounding this jam just adds to the overall sensation of being a direct part of this rather than a disconnected listener. I'm currently listening to this during a thunderstorm and it's pretty much the most awesome soundtrack. A little over halfway through the song, some of the density clears and you actually get a really good idea of what's going on between all the chaos, and it's truly beautiful. The riffing and frantic pace never slow, yet elements of shimmering, high-pitched melody creep in just long enough to feedback into a return to aggression. If nothing else, this song presents one of the finest displays of mastery over atmosphere I've witnessed all year. The song's peak hits sixteen to eighteen minutes in and the subsequent denoument fades away in a truly gripping fashion, droning into oblivion with wretched voices shrieking out of the void.

As "Dawn" snakes into my consciousness, I'm both frightened and excited. This album does require a degree of endurance from its listener, but the reward is well worth it. Much like the two songs before it, this tune runs you through pretty much any imaginable territory while managing to throw out a few surprises. As the sonic density rises for the listener to meet with the final challenge, there is a calmness and brilliance that resonates throughout each shimmering cymbal crash and each rhythmic riff. This song is the culmination of more than forty minutes of tension. By the time you've made it to the hollow rattling that signals the journey's end, there's a sense of accomplishment, peace, and also a slight sense of loss. Fell Voices' sonic shifting continues to delight me and I'm really happy to have had the honor of reviewing this album. You can obtain this colossal album from either of the labels that co-released it, Gilead Media or Antithetic Records. It's a double LP with an etched D-side and there's even a limited edition shirt available. This isn't just a recommended listen, it's going to be one of the year's strongest albums. Grab it and catch these guys live if you have any opportunity to do so.

About Ben

Thank you for expressing an interest in me. I'm Ben and I run this blog. I exist digitally on this blog and physically in Brooklyn. When I'm not writing about art and music, I'm either creating my own music (poorly) or working in an office somewhere and hoping to go unnoticed. I used to be a bit more of a glutton for visibility, but these days I wish I'd stayed under a rock and kept writing anonymously. If you know me, you know me. If not, I assure you I'm not that interesting.

Recent drinks 4/23/13

Here we are again with another week's worth of drinks. Last week it seems I was big on lighter beers and this week I ended up with a relatively heavy and dark selection. My semester in college ends in about ten days, so expect to see a few more beer posts and definitely more consistency in my musical updates. As always, thanks for joining in on the fun and feel free to recommend some good drinks!

Troubador Magma (The Musketeers)
With a nose like a creamsicle and a large frothy head, this beer has all the appearances of a delicious beer float of some sort. However, this peculiarly mixed Belgian triple IPA is far more refreshing than such a description would convey. This drink has light elements of citrus and tropical fruit thanks to a marvelous pairing of hops and Belgian yeast. I'm not sure what makes this drink so compelling, but it's smooth and perfect on a warm spring evening.

Old Heathen Imperial Stout (Weyerbacher)
As I often do when picking new beers, I completely ignored any relevant descriptors such as style, IBU, or flavor characteristics. When I looked at this beer, I saw that it was called Old Heathen and it had a dude who looks like Garm on the label. To be perfectly honest, this beer rules either way. Whether it's because everything about this beer is as traditionally black metal as a beer can get or if it's because this is just an incredibly well made imperial stout, it's fantastic either way. Pours as dark as you'd expect, with delicious chocolate notes in nose and taste and a surprisingly smooth flavor for an imperial stout. Definitely a good one to show someone who is new to imperial stouts yet has enjoyed the stout style in the past.

Storm King Imperial Stout (Victory)
Victory shows up again in my list due to their accessibility and consistent quality. Storm King's long been a favorite of mine but it's probably been the better part of a year since I've had it. No idea why, since this is an imperial stout with a remarkable level of bite. The head on this beer is nice and thick while the drink is bitter and dark in all the best ways. A perfect beer when locked in on a stormy night, or even just good casual drinking for those of us who like our beers dark and intense. I've heard that the special edition Dark Intrigue is also perfect, but I've yet to run across a bottle of it at a time when I've had the financial ability to justify purchasing it. Grab this guy if you like it heavy and grab its big brother if you're feeling particularly feisty.

Lustre- "Night Spirit" LP (Fallen Empire/Eisenwald)

Fans of atmospheric and ambient black metal probably don't need any introduction to this band or album, but since not all of my readers fall into that category, welcome to a review of Lustre's landmark album, "Night Spirit," which is finally seeing release on vinyl thanks to Fallen Empire and Eisenwald. For the uninitiated, Lustre is a one-man atmospheric black metal project from Sweden. His songs transcend the dreary and often forgettable meandering that tends to typify the ambient reaches of black metal by reaching levels of beauty and serenity not often provided by the genre as a whole.

"Night Spirit" is composed of two tracks that are unified, not quite as one seamless song, but in sound and direction they lead the listener on an unmistakable journey. In many ways, this song is hard to describe with words. Every time I listen to this album (which is usually multiple times a week) I feel like I go on a sort of journey into myself. The density of the guitars and keys paired with the stripped percussion and sparse vocals drives me into a very calm and familiar place. This album feels, more than anything else, safe and timeless. There are a couple percussive key lines that I'm sure some people might poke at as a bit cheesy, but I truly feel it's as effective as any melodic lead I've heard on any other instrument. Each of these tracks crosses the twenty-minute mark and each is equally hypnotic in its effect. The album flows from a low to a peak and back down again. This triangular journey works very nicely, as things get coldest and most intense towards the end of the first song but work their way into an incredibly secure and warm sensation by the end of the second. Much like the album's name, it's something of a musical quest from nightfall to dawn, and it's just as beautiful as watching the shifting of the skies. I really can't recommend this album highly enough; it's easily one of my favorite records of 2013 so far.

Snag a copy of this while you're still able. I'm still surprised this didn't sell out immediately upon its release, so you should feel fortunate if you haven't already grabbed it. Obtain this beauty and find your own source of inner calm at maximum volume.

Inter Arma- "Destroyer" CD (Gilead Media)

Inter Arma have been one of those bands that existed on my periphery for a year or two without actually making their way to my ears. Call it bad luck or perhaps just having too many great options at my disposal to ever really catch up on every band I'd like to hear, but I just never got around to listening to Inter Arma until just recently. I'm instantly regretting having overlooked these guys last year, because it looks like they'll be making their way into my regular vocabulary with this release.

It's really hard to give a name to the kind of metal Inter Arma plays aside from just victorious and sprawling. The vocalist alternates between being a phlegmy Lindberg-like maniac with a perfect rasp and a bellow that sounds like some ancient warrior calling across a battlefield. "Destroyer" seems to work as both title and description of their musical approach, with the aggressive moments seeming victorious and valiant while psychedelic and spiraling guitars seem to slowly bore into one's skull during mellower moments. The instruments play in and through each other in ways that call to mind some of Mastodon's earlier and more intense albums and there is a constant sense of forward movement as Inter Arma slays everything that gets in its way. I'm not often into music that's this streamlined and well-polished for some reason, but there's such sincerity to this music that I can absolutely get behind this. At times I can't stop nodding my head, even though the opening track is nearly ten minutes long. This is one of the few bands I've featured here that could give some heavyweights a run for their money. This isn't just something that should appeal to the underground--the headlining acts of the metal world should be eyeballing these guys as potential tour mates. Inter Arma has the appeal and the talent, it's just time for somebody to take notice.

With a recent signing to Relapse Records, it seems that this band is on their way to bigger things, so it's only logical to revisit some of this band's earlier works before they become huge. Aside from getting bragging rights for knowing them first, you'll also be treated to an incredible EP that's well worth the cost. Grab it from Gilead Media and hope that you're still in the first 500 orders so that you can get a sweet patch and button.